Yamadera Temple - part 3

As described in the previous two posts (here and here), on October 25th 2014 hubby and I visited Yamadera Risshakuji Temple located on Mount Hoshuyama in Yamagata City of Yamagata prefecture. In the previous post I wrote that we climbed 1015 stone steps along Sando trail from the entrance area of the temple complex and reached the top of the mountain. It is said that the earthly desires blocking us from enlightenment begin to fade away with each step we take up the stone stairs on the trail up the mountainside. We were rather tired after 75 minutes of climbing up the steps but felt a sense of accomplishment. The mountaintop looked so serene and wonderful. At the end of Sando trail, located at the highest level of Yamadera Temple complex, we saw two hall buildings facing south side. The building to the right side (orientation with respect to us) is called Okunoin Hall and the one to the left side is called Daibutsuden Hall. The mountaintop area, consisting of these two buildings and their surroundings, is called Okunoin precinct.

Okunoin Hall (right) and Daibutsuden Hall (left) located at the top of the mountain

As described in the previous paragraph, we saw a building named Okunoin Hall located to our right side in the northern area of Okunoin precinct at the mountaintop. The formal name of the hall building is Nyoho Do. The original building was razed by a fire in 1871, following which it was reconstructed in 1872 by the 66th head priest named Yuden of Risshakuji Temple. Okunoin is a wooden building with copper Itabuki roof having Hogyo Zukuri architectural style. It has Ketayuki-sanken (3 Ken or 5.46 meters long beam), Harima-sanken (3 Ken or 5.46 meters long crossbeam), and Shomen-ichiken (1 Ken or 1.82 meters space between two pillars in the front) structure. The front of the temple building has Kohai roof (eaves) built over the steps leading up to the building. Kohai wooden nosings called Kibana are decorated with sculptures of Baku elephants and Shishi lions, while the transom part is decorated with dragons. The principal images enshrined inside the hall are Shaka Nyorai and a seated statue of Taho Nyorai. Both these statues are very small and it is said that Jikaku Daishi, the founder of Risshakuji Temple, always carried around these two statues with him during his training in China. Okunoin Hall is also called Shakyo Dojo Hall and is used as a place for the observance of Buddha's teachings as well as for practicing and copying Buddhist Sutras. Sutras are copied according to the prescribed method called Nyoho introduced by Jikaku Daishi. In this method, Sutras are copied on hemp paper with Souhitsu brush made of grass and twigs and by using Sekiboku ink made from graphite. Many such Sekiboku-Souhitsu hand-copied Sutras are preserved inside the hall. We climbed up a few stone steps and about half way up the front entrance of Okunoin Hall, we saw a large cauldron for burning incense sticks located inside a four pillared pavilion. Many Omikuji paper strips are tied to the upper beams of the pavilion. Standing on the steps, I noted that intricate patterns are carved on the ceiling of the Kohai roof and wonderful sculptures adorn the Kibana nosings. Next we climbed up a few wooden steps and reached the front verandah of the hall. I offered some coins into the offertory box and prayed for the well being of my family as well as friends. We saw an old bell of Shoro belfry (described later in this post) stored in the verandah of the hall.

Okunoin Hall and a portion of a lantern (foreground) as viewed from the front area of the precinct

I am standing next to a pavilion with a large cauldron for burning incense sticks. Omikuji paper strips are seen in the upper beams of the pavilion.

Front area of Okunoin Hall where Kohai roof built over the wooden steps can be seen

Kibana nosings decorated with Baku elephants (side) and Shishi lions (front), and transom decorated with dragons

Enlarged view of Baku elephants, Shishi lions, and dragons

I am climbing up the wooden steps leading to the front verandah of the hall

Inside Okunoin Hall

An old bell stored in the verandah of the hall

Next we saw a hall building named Daibutsuden located to our left side in the northern area of Okunoin precinct. In fact, Daibutsuden Hall is located just adjacent to Okunoin Hall. Daibutsuden is a wooden building with copper Itabuki roof having Irimoya Zukuri architectural style. It has Ketayuki-sanken (3 Ken or 5.46 meters long beam) and Shomen-ichiken (1 Ken or 1.82 meters space between two pillars in the front) structure. The front of the building has Kohai roof (eaves) built over the steps leading up to the building. A 5-meter high seated golden statue of Amida Nyorai is enshrined inside the hall. Memorial services for the deceased are held at this hall every day. All people, regardless of their sect, come here to hold such memorial services for their deceased loved ones by offering tall narrow wooden tablet called Sotoba with the name of the deceased and some Sutras written on it. On reaching the front of the hall, I noted that intricate patterns are carved on the front as well as the ceiling of the building. Near the entrance area of the hall we saw a cauldron of burning incense, smoke from which is believed to bestow good health. I lit a bunch of incense sticks to the already fuming stock and with my hands wafted the incense fumes over hubby’s body as well as mine. I offered some money into the offertory box placed near the entrance, and prayed for our health and happiness.

Daibutsuden Hall as viewed from the front area of Okunoin precinct

Hubby standing in front of Daibutsuden Hall

The front of the hall as viewed from another angle

The front of the hall along with the statue of Amida Nyorai partly visible

5-meter high statue of Amida Nyorai inside the hall

I am lighting a bunch of incense sticks

Placing the lit incense sticks into the cauldron

Okunoin precinct has several other structures and buildings like Issai Kyozo Hall, metallic lantern Kanatoro, Shoro belfry, a place called Tashoba, and many other structures. I have written about Issai Kyozo Hall in the previous post. Kanataro lantern is located right in the front area of Okunoin precinct. Kanataro is huge, made of bronze, and has rich intricate designs. The lantern was manufactured in 1895 in Domachi Town of Yamagata prefecture and was cast by a master craftsman named Onoda Saisuke at the request of the 66th head priest Yuden of Risshakuji Temple. It was repaired by the 69th head priest named Joden in 1961. Kanatoro lantern is considered to be one of the three most precious lanterns of Japan, along with the lanterns of Kotohiragu Shrine in Kagawa prefecture and Kinkazan Koganeyama Jinja Shrine in Miyagi prefecture. Towards the east-southeast corner of Okunoin precinct, we saw a place named Tashoba where many stone tablets as well as wooden tablets that were used for the memorial services of the deceased are stored. We also saw Shoro belfry located in the eastern area of Okunoin precinct. Shoro belfry was built in 1863 to commemorate the 1000th anniversary of the death of Jikaku Daishi. It was built with the donations of a wealthy farmer named Abe Magoichi of Funamachi Town in Yamagata prefecture. We loved viewing the buildings and structures located in Okunoin precinct.

Hubby standing in front of Kanatoro lantern

Enlarged view of Kanatoro lantern

Tashoba

Shoro belfry

As discussed earlier, Okunoin precinct is located at the highest point of the mountain temple complex. After seeing all the buildings and structures at Okunoin precinct, we turned around and started walking down the stone steps of the Sando main trail. We leisurely walked down up to Chushoin sub-temple (see previous post). In front of this sub-temple we saw another trail leading towards the west side of the temple complex. We climbed up the stone steps of this west trail, and after about three minutes of climbing, we reached in front of a sub-temple named Kezoin. As I wrote in the previous post, during Edo period there used to be twelve Junishiin temples located at various points in the upper area of the mountain where many monks used to train. But now only four of these temples remain and are together called Sannai Shin sub-temples. Kezoin is one of the four sub-temples and is one of the olden times Junishiin temples. Kezoin sub-temple was the dwelling place of Jikaku Daishi during the founding of Yamadera Risshakuji Temple. It is a one-storied wooden building with a front facade having Chidorihafu architectural style. The roof of the entrance area has Mukuri architectural style. The principal image enshrined inside the building is a statue of Kanzeon Bosatsu which was carved by Jikaku Daishi.

The front of Kezoin sub-temple

Inside the sub-temple

In the Kezoin sub-temple precinct, we saw a small cavern hall located to the right side (orientation with respect to us) of the sub-temple. A small wooden three-storied pagoda named Sanjushoto is located inside the cavern hall. The pagoda was constructed in 1519 by Jikkoku Jouin at the request of the then chief priest named Joun of Kezoin sub-temple. The roofs of the pagoda have shingled Kokerabuki style and are constructed in Hogyo Yane architectural style. The outer wooden wall is colored in Bengara red, and the wooden butt ends and the metal fittings are golden colored. The height of the pagoda, including the finial, is 2.48 meters, and the distance between the columns is 0.45 meters. The pagoda is very small, built to perfection, and fits entirely inside the small cavern hall. In fact, this three-storied pagoda is the smallest of all the pagodas built by similar manufacturing process in entire Japan. It was designated as an important cultural property in 1952. The principal image enshrined inside the pagoda is a statue of Dainichi Nyorai. Formerly the principal image was Shaka Nyorai. We loved viewing this small pagoda located inside the cavern hall. But it is protected by a glass paneled front door, and so it was difficult to click a proper photo of the pagoda.

The cavern hall inside which the three-storied Sanjushoto pagoda is located

Three stories of the pagoda as seen through a glass paneled front door

After seeing Kezoin sub-temple and the three-storied Sanjushoto pagoda, we walked back down the west trail and returned to the Sando main trail. We continued walking down the stone steps of the main trail and reached adjacent to Konjoin sub-temple (previous post). In front this sub-temple we saw yet another trail leading down towards the west side of the temple complex. We started walking down the steps of this west trail which leads to the two famous hall buildings named Kaizan Do and Nokyo Do. We saw that these two buildings are precariously located on the edge of a sheer rocky cliff named Hyakujo Iwa. I will write about these two buildings in the next few paragraphs. After about two minutes of walking down the west trail, we saw a small hall named Taishakuten Do located to our right side along the trail. Taishakuten Do is a very small wooden hall with all its four sides measuring 2.1 meters. The hall was originally founded by Jikaku Daishi and was rebuilt in 1833 by the 64th head priest named Jishun of Risshakuji Temple. A principal statue of Taishakuten is enshrined inside the hall. We walked past Taishakuten Do Hall, and next saw a cluster of small stone statues and gravestone pagodas located to our right side along the west trail. One of the stone statues intrigued me very much because it looked remarkably similar to a Hindu God named Dattatreya Trimurti. We walked along the trail for another minute or so and reached in front of Kaizan Do and Nokyo Do Halls.

Taishakuten Do Hall

Many small stone statues and gravestone pagodas located along the west trail

Enlarged view of the statues

This statue looks similar to Hindu God Trimurti

Kaizan Do Hall (right) and Nokyo Do Hall (left) as viewed while walking down along the west trail

We reached in front of Kaizan Do and Nokyo Do Halls

Nokyo Do Hall is located on the top left corner of Hyakujo Iwa cliff. The hall building seems to be precariously standing on the edge of the cliff. It is a very small building where Sutras are stored. In fact, Hokekyo Lotus Sutras that are intricately hand-copied over a 4-year period in Okunoin Hall are stored in Nokyo Do Hall. Nokyo Do was constructed in 1599 under the order of the feudal lord Mogami Yoshiaki by one of his retainer named Minowada. A large-scale renovation was carried out in 1705. It is a wooden building having Hogyo Zukuri architectural style. The building has copper-sheet roof with Kawaraboubuki batten seam roofing. It has Ketayuki-ichiken (1 Ken or 1.82 meters long beam) Harima-ichiken (1 Ken or 1.82 meters long crossbeam) structure. The outer wall of the building has horizontal planking and is colored in Bengara red. It is the oldest hall building in the mountain temple complex, and was designated as an important cultural property of Yamagata prefecture in 1953. The building was dismantled and repaired in 1987. We loved the architecture of Nokyo Do Hall and took several photos of the building from various positions and angles. Standing in front of the hall, we got wonderful landscape views out into the valley below.

Nokyo Do Hall and the valley below as viewed while walking along the west trail leading to the hall

The hall as viewed from yet another position

Front side view of the hall

Kaizan Do Hall is located on a flat area at the top of Hyakujo Iwa cliff. This hall is dedicated to Jikaku Daishi, the founder of Yamadera Risshakuji Temple. The present hall building is not the original structure and was rebuilt in 1851 by the 65th head priest named Joden of Risshakuji Temple. It is a one-storied wooden building with copper Itabuki roof having Irimoya Zukuri and Hirairi architectural styles. The front facade has Chidorihafu architectural style. It has Ketayuki-sanken (3 Ken or 5.46 meters long beam), Harima-niken (2 Ken or 3.64 meters long crossbeam), and Shomen-ichiken (1 Ken or 1.82 meters space between two pillars in the front) structure.  The front entrance of the building has Kohai roof (eaves) built over the steps leading up to the building. The Kohai roof has Karahafu architectural style. Kohai wooden nosings Kibana are decorated with sculptures of Shishi lions while the transom part is decorated with dragons. Gegyo wooden board of Karahafu roof is decorated with an elaborate sculpture of Houou Phoenix. A seated wooden statue of Jikaku Daishi is enshrined inside the hall. The statue is worshipped, and food and incense offerings are made every morning and evening. In fact, the incense is kept burning perpetually in honor of the founder, and there is constant incense smoke for the past 1150 years. The doors of this hall are usually closed but once in a year on 14th January, the death anniversary of Jikaku Daishi, the hall is kept open to the public for Buddhist memorial service called Hoyo. It should be mentioned here that after the death of Jikaku Daishi in 864, his remains were buried in Enryakuji Temple (check blog posts here and here) on Mount Hiei as well as in Risshakuji Temple on Mount Hoshuyama. His torso was buried in Enryakuji Temple while his head was buried in a natural cave named Nyujokutsu located in the middle portion of Hyakujo Iwa cliff in Risshakuji Temple. The cave is actually located right below Noyko Do Hall but is not accessible to the general public. We loved viewing the design and architectural style of Kaizan Do Hall. I feel that this hall is one of the most beautiful buildings in the temple complex. We clicked several photos of the building from various positions and angles.

Hubby standing in front of Kaizan Do Hall

I am standing in front of the hall

Intricately carved front of the hall with sculptures of Shishi lions on the Kibana, dragons on the transom, and phoenix on the Gegyo board

A tablet plaque with ‘Kaizan Do Rei’ written on it hangs from the entrance door lintel of the hall

A portion of the hall and the roof as viewed from its side

Next, we climbed up a few stone steps located adjacent to Kaizan Do Hall and reached another hall named Godai Do. Godai Do Hall is located to the right side of Kaizan Do Hall (orientation with respect to us); slightly above Kaizan Do on the mountain cliff. Godai Do is actually an observation deck that extends out over the cliff with a commanding view of the surroundings and the valley below. It is said that Godai Do Hall was constructed in the year 890, that is, 30 years after the founding of Risshakuji Temple. The hall was rebuilt in 1714 and was renovated in 1852. It is a one-storied wooden building with copper Itabuki roof. The building has Kirizuma Zukuri, Tsumairi, and Butai Zukuri (stage-like construction) architectural styles. It has Ketayuki-yonken (4 Ken or 7.28 meters long beam) Harima-sanken (3 Ken or 5.46 meters long crossbeam) structure. The hall building has only railings but no walls on three sides, so that the scenic views out into the valley can be enjoyed without worrying about falling off the mountain. The principal images enshrined inside the hall are statues of Godai Myoo which are supposed to protect Risshakuji temple. We saw many Senjafuda pilgrim stickers on the inner wall and the ceiling of the hall. Standing inside the hall, we enjoyed the splendid landscape scenery out in front of us. The range of mountains on the horizon along with the town in the valley below looked stunning.

Godai Do Hall (1) is located to the right of Kaizan Do Hall (2). Godai Do Hall is partly seen in this photo clicked from Niomon Gate (previous post) area.

Godai Do Hall

I am standing inside the hall

Senjafuda stickers

Beautiful scenery to our left side as viewed from Godai Do Hall

Scenery in front of us

Scenery to our right side

We enjoyed the scenic views out into the valley from Godai Do Hall for about 10 minutes, and then left the hall. In front of the hall, we saw a tiny altar named Hakusan Hokora located on the top of a huge rock. We also saw a trail leading further into the mountain forest but saw a notice which clearly stated that the trail was dangerous and visitors are not allowed to hike beyond Godai Do Hall.

Hakusan Hokara altar standing on a huge rock

I am standing in front of a notice indicating that visitors are not allowed to go beyond this point

At this point we finished the tour of Yamadera Risshakuji Temple. We loved visiting the temple and seeing many historically and architecturally interesting buildings and structures in the temple complex. We walked down the stone steps along the trail and returned to the car parking area located near the base of the mountain. We were rather tired due to climbing up and then walking down the trail along the mountain. So we had early dinner at a restaurant near the parking area and regained our strength. Afterwards, we returned home after a car ride of about 3 hours.

Hubby very tired and waiting for the food we ordered at the restaurant

Kiyomizudera Temple

As I wrote in the previous post, on the afternoon of 30th April hubby and I visited Ginkakuji Temple in Kyoto. In the evening, we visited Kiyomizudera Temple about which I will write in this post. Kiyomizudera Temple is formally known as Otowa San Kiyomizudera and is located halfway up Otowa Mountain in the eastern part of Kyoto city. The temple originally belonged to Hosso sect of Buddhism but formed its own Kita-Hosso sect in 1965. The temple was founded in 778 during Nara period by a Buddhist priest named Enchin in honor of Kannon Bosatsu. There is a legend that says that Enchin had a vision of finding a golden stream of clear water flowing from Otowa Mountain into Yodogawa River. During the search for the stream, he came across an old hermit named Gyoei who practiced asceticism. Gyoei gave Enchin a piece of wood and went for pilgrimage. Enchin waited for a long period of time but the hermit seemed to have disappeared and did not return. So Enchin went in search of the hermit and found the hermit’s sandals on top of the mountain. Suddenly it dawned on Enchin that he had met and talked with Kannon himself. Enchin then carved the piece of wood into an image of Kannon Bosatsu which was enshrined in a small thatched roofed hut. The legend further states that Sakanoue Tamuramaro, one of the generals of Emperor Kammu, met Enchin while hunting for stag. Tamuramaro’s wife was going to give birth and the blood of a stag was thought to ease the pain of childbirth. Enchin spoke of the cruelty of killing animals and preached compassion for them. The speech moved Tamuramaro so much that he disassembled his house and gave it to the temple as an act of repentance. In 794 during the first year of Heian period, Emperor Kammu moved his capital to Kyoto and gave Tamuramaro his throne hall as a reward for his military service. Tamuramaro, in turn, donated this building to Enchin for a new main hall of the temple. Since its foundation, the temple has burned down many times. In the late 16th century Toyotomi Hideyoshi spent time at the temple and left behind many personal objects, some of which still remain today. The temple grew in the early 17th century but a fire in 1629 destroyed almost all the original buildings. Most of the present buildings were rebuilt by Tokugawa Iemitsu, the third shogun of Tokugawa Shogunate, in 1633 during Edo period. Present day temple complex has an area of about 130000 square meters and consists of over 30 structures. In 1994, the temple was registered on the UNESCO world cultural heritage list as one of the historic monuments of ancient Kyoto.

Kiyomizudera Temple is located about six kilometers south of Ginkakuji Temple and it took us 25 minutes to reach there by Taxi. After getting down from the taxi, we walked up the steep and narrow stone paved lanes lined with souvenir shops and food stalls. After 15 minutes of walking, we reached the front of Kiyomizudera Temple complex. It was about 3.45 pm when we reached the temple. At the front of the temple complex, we saw a magnificent red colored gate named Niomon. This gate was destroyed during Onin war but was rebuilt soon by the end of 15th century. The gate was dismantled and repaired in 2003, and therefore now it is beautifully covered in bright red color. The gate is 14 meters high, 10 meters wide, and 5 meters deep, and shows the typical features of Muromachi period. A pair of Nio deities and a pair of lion-dogs komainu stand guard on either side of the gate, and are believed to protect the temple from any evil.

Niomon gate along with Saimon gate and three-storied pagoda

Niomon gate and a statue of komainu

Walking past Niomon gate, we reached another gate named Saimon west gate. It is located slightly southeast of Niomon gate. Although the exact year of the construction of the original Saimon gate is unknown, it is believed to have been built at the end of Heian period or the beginning of Kamakura period. The present gate was reconstructed in 1631 during Edo period. In 1994, the roof was restored and the entire gate was colored in red. Two Nio statues stand guard on either side of the gate. There is a three-storied pagoda behind the gate and a bell tower to the left of the gate.

Saimon west gate and three-storied pagoda behind it

Saimon west gate and Shoro bell tower to its north

Near Saimon gate we turned around and got a beautiful view of Kyoto city. After enjoying the views of the city, we again concentrated back on the temple structures. To our left we saw Shoro bell tower that was built in 1607 during Edo period. The bell tower was restored in 1999 that revived its spectacular red color. Beautiful chrysanthemum flowers are carved above the flying brace of the tower. The bell that was cast in 1478 during Muromachi period used to be inside the bell tower until 2008, when it was retired due to progressive fatigue and now is kept in a treasure house inside the temple complex. The present bell is just 3 years old.

View of Kyoto city

Shoro bell tower

Carved chrysanthemum flowers on the bell tower

Next we saw a building named Zuigudo hall that is located towards east right in front of the bell tower. Daizuigu Bosatsu, mother of Buddha, is the principal image of worship in this hall. The hall was rebuilt in 1718 during Edo period, and was dismantled and repaired in 2006. We paid 100 yen per person as admission fee for entering the hall. We could not see anything inside the hall because it is pitch dark inside. The darkness symbolizes the womb of a mother. We walked down to the basement of the hall through the darkness grasping a rope tied to the side of the wall, and made a wish while circling a big stone inside. It is said that the goddess can grant our any wish. After making a wish, we started walking back up in the darkness. When the daylight hit us, it was supposed to be like a new beginning.

Front (left) and back (right) side of entrance ticket for Zuigudo hall

Zuigudo hall

A three-storied pagoda called Sanjunoto is an adjacent building located southwest of Zuigudo Hall. In fact, earlier while entering the temple premises we got a nice view of the pagoda just behind Saimon west gate. The pagoda was built in 847 during Heian period. It was rebuilt in 1632 during Edo period. In 1987, the building was dismantled, repaired, and repainted in the original red color. The building is 31 meters high and is the tallest three-storied pagoda in Japan. It is a gorgeous structure with rich architectural beauty. There is an image of Dainichi Nyorai inside the pagoda building. We took several photos of the pagoda from various sides and angles.

Photos of three-storied pagoda from various sides and angles

After seeing the pagoda, we reached a ticket counter where we purchased tickets worth 300 Yen per person as admission fee to the paid area of the temple precincts. The tickets looked so elegant. We then passed through Todorokimon middle gate of the temple. This gate was rebuilt in 1633 during Edo period. The roof structure of this gate resembles Tengaimon gate of Todaiji Temple located in Nara. A pair of Nio statues stands guard on either side of the gate. This gate leads to the approach to the main hall of the temple.

Front (left) and back (right) side of entrance ticket to the paid area of the temple precincts

Todorokimon middle gate

Next, we walked through a roofed passage that led to the main hall. There are huge wooden columns on either side of the passage. A row of lanterns hanging from the roof of this passage look so elegant and graceful. As we neared the end of the passage, we went to the porch area and enjoyed the greenery in front of us. From this angle, we got a lovely view of the roof of Hondo main hall.

Roofed passage leading to the main hall

Row of lanterns hanging from the roofed passage

Two types of lantern designs

I am standing at a porch area

Hondo main hall is the main attraction of the temple and is designated as a national treasure. The hall is dedicated to Kannon Bosatsu. The original building donated by Tamuramaro was destroyed by a fire in 1629 during Edo period. The present structure was rebuilt in 1633 in the original Heian period palace style architecture.

Roof of Hondo main hall as viewed from the end of roofed passage

A pair of metal staff (priest’s cane) is displayed at the west side entrance of Hondo building. Heavier one named Tetsushakujo weighs 90 kilograms and the smaller Shoshakujo weighs 14 kilograms. Visitors were encouraged to try and lift the staffs. Although hubby could not lift the heavier staff, he could easily lift the lighter one.

Hubby trying to lift the metal staff weighing 90 kilograms

Hubby lifting the metal staff weighing 14 kilograms

While walking in the corridor of Hondo main hall, we saw a cute statue of a deity named Shusse Daikokuten. The statue is kept outside towards the west side of the main hall. It is a deity of success and progress in career. The deity has a smiling face, stands on rice bags, and wears a red hood. In addition, the deity has a treasure bag on its left shoulder and holds a magic mallet in the right hand. The statue was repaired in 2008.

Statue of Shusse Daikokuten

We loved the wooden architecture of Hondo main hall. We were appreciating the magnificent style of the roof of the hall building when we noted that the corridor ceiling has a unique lattice structure.

Lattice structured ceiling of the corridor of main hall

Next we entered inside the hall building where the first thing we noticed was a row of huge floor-to-ceiling wooden columns. While the outer sanctuary of the hall is rather simple, the inner sanctuary is gorgeous and has many gold-leaf images. Priest Enchin's image of Kannon Bosatsu is kept inside a case resting on a platform. In the east of the hall is an image of Bishamonten and the west houses an image of Jizo Bosatsu. Since photography is not allowed inside the main hall, I do not have any photos of the hall interior.

Then we came outside the main hall and saw a stage named Butai which is the veranda of the main hall. The stage is held up by wooden scaffolds that extends the stage 10 meters over a 12 meter cliff. The stage was built using a special method where huge 12 meter high keyaki tree pillars were assembled without using a single nail. A total of 139 pillars and 90 crossbeams support the stage. The floor of the stage was installed using more than 410 hinoki cypress boards. The stage has an area of 190 square meters, and was originally used for kabuki, kyogen, and sumo wrestling. There is an expression in Japanese ‘to jump off the stage at Kiyomizudera’ which is equivalent to the English expression ‘to take the plunge’. This refers to Edo period tradition that one’s wish would be granted if one were to survive jumping from the stage. Of course, this practice is prohibited now. From Butai stage, we got impressive and wonderful views of the temple surroundings and the city. To the southeast of the main hall, we saw a beautiful building named Okunoin hall. This hall resembles the main hall on a smaller scale and also has a stage. At the base of the main hall we saw a waterfall named Otowa no taki. From the stage we took several photos of the temple surroundings.

Okunoin hall and Otowa no taki waterfall as viewed from Butai stage of main hall

Okunoin hall as viewed from Butai stage

Otowa no taki waterfall as viewed from the stage

Enlarged view of the waterfall

I am standing on Butai stage of main hall

Hubby standing on the stage of main hall

Next, we walked further east and climbed a few wooden steps of the main hall building. From this spot, we got a perfect view of Butai stage and the front of the main hall. The architectural design of the stage is superb. There were many tourists enjoying the temple views from this famous stage and therefore we had some difficulty to take photos of the stage. After enjoying the views for some more time, we left the main hall building.

A portion of the wooden scaffolds of Butai stage

Many visitors on Butai stage

Butai stage of main hall

Butai stage and the front of main hall

Next, we saw a shrine named Jishu Jinja located in the north just behind the main hall. In Japan it is common to find Shinto shrines in Buddhist temple precincts. Jishu Jinja is dedicated to the deity of love and matchmaking. A Torii gate and a large staircase lead to the shrine grounds. We climbed the staircase but decided to skip visiting the shrine as we did not have much time.

I am standing in front of Torii gate and stairs of Jishu Jinja

After coming down the stairs of Jishu Jinja, we turned left and walked towards the east on a pathway that brought us to a line of buildings. The first building is a hall named Shakado. The hall building was rebuilt in 1631 during Edo period. The building was damaged in heavy rain in 1972, and so it was reconstructed after three years. Although the exterior of the hall looks simple, the interior has a gorgeous decor. The inside is lacquered and the ceiling is painted. The principle image of the hall is Shaka Sanzon which is a triad consisting of an image of Shaka Nyorai in the center flanked by images of Monju Bosatsu and Fugen Bosatsu.

Shakado hall

To the southeast of Shakado hall, there is a small hall named Hyakutaijizodo. There are about 200 stone statues of Jizo Bosatsu inside the hall. Jizo deity is the protector of dead children and travelers.

Hyakutaijizodo hall

Adjacent to Shakado hall to the south we saw another hall named Amidado. The hall was reconstructed in 1633 during Edo period. The painting of the building was restored in 1996 and therefore has a striking colorful red appearance. The hall has the traditional tiled roof structure of Buddhist temples. The principal image of the hall is a seated statue Amida Nyorai. The statue is brilliantly gilded and has a halo-shaped decor. To the south of this statue an image of Priest Honen, the founder of Jodo sect of Buddhism, is also enshrined.

Statues of Amida Nyorai (center) and Priest Honen (right) inside Amidado hall

Amida Nyorai

Adjacent to Amidado hall to the south is yet another hall named Okunoin. Earlier while walking towards Shakado hall, we glanced towards our right and got a beautiful view of Okunoin hall from its side. The hall resembles Hondo main hall on a smaller scale and also has a stage. The present building was reconstructed in 1633 during Edo period. This site is said to be the original home of hermit Gyoei and the original crude structure that held the images of Kannon Bosatsu, Bishamonten, and Jizo Bosatsu carved by priest Enchin. Later the sanctuary of Tamuramaro also stood at this site while it held the three images. The hall is dedicated to these images even though they are now housed in Hondo main hall. While walking on the corridor of Okunoin hall, we could see the wooden scaffolds of its stage. On reaching the stage, we walked around for some time and enjoyed the beautiful views of the temple surroundings. Hondo main hall is located to the northwest of this hall. From Okunoin stage, we got a magnificent view of Hondo main hall and its Butai stage. Butai stage was full of visitors. We took several photos of Hondo main hall from Okunoin stage.

View of Okunoin hall from its side

A portion of the wooden scaffolds of Okunoin stage

Hondo main hall and its Butai stage as viewed from Okunoin stage

I am standing on Okunoin stage. Hondo main hall is seen in the background.

Hubby and Hondo main hall

Butai stage of Hondo main hall

Wooden scaffolds of Butai stage

After enjoying the temple views from the stage of Okunoin hall, we continued our walk on the paved route. Soon we reached a spot on the southern part of the temple complex from where we got a nice front view of Hondo main hall and its Butai stage. Again, we took several photos of the main hall.

Three-storied pagoda, roofed passage, Hondo main hall, and a few more structures as viewed from a spot on the southern part of the temple complex

Hondo main hall, Butai stage, and wooden scaffolds of the stage

Butai stage and wooden scaffolds of the stage

Then we started coming down the walking path and reached Otowa no taki waterfall located at the base of the main hall. Water from a spring in the mountain has been falling there since the foundation of the temple. The temple’s name ‘Kiyomizu’, which means pure water, is derived from this waterfall. Three streams of very pure water fall into a pond. Each narrow stream is said to have a different effect. Visitors can collect the water from the falls in metal cups that are attached to long poles, and drink it for love, longevity, and wisdom. Traditionally, we should only choose two because it is considered being greedy to drink from all the streams. There was a very long queue of visitors waiting near the waterfall, so we skipped drinking the pure water from the streams.

I am walking down the paved path

Otowa no taki waterfall

Three streams of very pure water at the waterfall

Next, we saw several souvenir shops and food stalls adjacent to the waterfall. At this point our tour of the temple complex was over. As we started heading back to the entrance of the temple, we saw the base of the massive wooden scaffolding that supports Hondo main hall.

Food stalls and souvenir shops

A food stall

Wooden scaffolding supporting the main hall

At about 5.30 pm we left Kiyomizudera Temple complex. We enjoyed visiting the temple. The next morning we visited Higashi Hongwanji Temple about which I will write in the next post.